My stack in Delicious is driven from the Kony2012 video. Its Web 2.0 response is prolific and has engaged the public sphere and experts alike. While the video’s intent was to move the powers at hand to “Capture Kony”, its unintended consequences are a participatory media onslaught that has engaged its participants to align, assess, and critique the movement under a political, social, and economic lens. It provides an opportunity to see both transliteracy and participatory media unfold under a movement drawing immediate global response.
My first posting is included as an “extra”. SueLampert (NNM blog, 2012) kindly pointed me to Guardian openjournalism: Three Little Pigs advert – video in her response to my posting on transliteracy.
The advert framed under the “Three Little Pigs” fable demonstrates
transliteracy in action through a succinct interweaving of a variety of
narratives (print media, cell phone, video, twitter, YouTube). It is the unfolding
of unintended consequences under the guise of a well-known story, and the
public’s reactions and the interpretations by those considered the experts with
a surprise outcome.
The Kony 2012: what's the real story?
, my first assignment two posting, is the actualization of ThreeLittle Pigs advert imagined transliteracy event. The webpage is an
excellent example of participatory media in action. Its is a transliteracy aggregation
of public and expert postings of YouTube videos, written comments, and articles
that address themes around the video, its creator, its over simplification of the
political situation, potential concerns about misinformation of Kony’s actual
location as well as the video’s potential to negatively impact the social and
economic state Uganda. This page represents N. K. Hayles’ (2007, p.187) concept of the hyper attention cognitive style – that desire to switch
focus rapidly among different tasks, preferring multiple information streams,
seeking a high level of stimulation, and having a low tolerance for boredom. Its
robust information presentation takes the viewer at pace from one theme to the
next.
I was both intrigued and overwhelmed by the enormity of the content in the
Kony 2012: what's the real story? However, I had the good fortune of
tuning into CBC’s “Q” airing of “Kony 2012: Is simplification a necessary partof successful advocacy?” This post cast, my second assignment two posting, is a debate between World
Bank social media strategist Teddy Ruge and National Post columnist Matt Gurney
and spoke to me as an example of Hayles
(2007, p.187) deep media experience (and my engrained
cognitive style) as it concentrates on a single media focus to provide a deeper
understanding. It caught me at the right place at the right time - in the car
listening to the radio, unable to be drawn away by other narrative forms - and
allowed me to zero in on the content presented to better situate the many
narratives presented in the Kony 2012 dialogue.
This verbal narrative is the debate of two that breaks down the Kony 2012
video, its themes, and their respective successes and challenges. It speaks to
manipulating the masses and how the creator has been able to drive
participatory media movement in ways that no other advocacy group has been
able to do. It draws a parallel to the 80s political narrative of “Band Aid”
but also allows voice to where Uganda is at – despite Kony’s impact. In
summary, it is an “all in one” opportunity to grasp the impact of the Kony 2012
video in a uni-dimensional, concentrated narrative.
After having reviewed
these two representations of the Kony 2012 event, I was moved to find an
academic explanation of political movement and social media. My research led me
to my final assignment two posting, "From Virtual Public Spheres to Global Justice: A Critical Theory of
Internetworked Social Movements" (Langman, 2005). In his paper, Dr.
Lauren Langman, a professor in the
Department of Sociology at Loyola University of Chicago, posits that “the electronic networks that made
contemporary globalization possible also led to the emergence of ‘‘virtual
public spheres’’ and, in turn, ‘‘Internetworked Social Movements’’(p. 44)”.
This led me to delve into his examination of social media theory and the
Frankfurt school of thought to see if I could better flush the process of
political mobilization through participatory media.
The paper examples
a variety of narratives used across time for political mobilization and speaks
to participatory organization through the clever use of electronic media. I interpret Langman’s main intent as the presentation of the function
the Frankfurt School of Critical Theory to consider the role of literacy and media
in fostering participatory movement to offer a “contemporary framework in which
legitimacy crises are discussed and participants arrive at consensual truth
claims; in this process, new forms of empowered, activist identities are
fostered and negotiated that impel cyber activism” (Langman, 2005, p.44).
The paper is lengthy and full of valuable content. I
did seek initially to find one or two pages to draw link to the concepts of
transliteracy and participatory media. Frankly, I surmised that its reading in
entirety provides political/transliteracy insight into past narratives practices
as well as those unfolding in though new media much like Sue Lampert presented
in her transliteracy lecture. In light of the three previous postings, this thought stood
out:
The mediations
between injustice and adversity, which are often far removed from personal
experience, and actual participation in a social movement depend on a number of
factors: (1) information and the way it is framed; (2) a personal identity that
is receptive to this information; (3) a structural location conducive to
activism; and (4) linkages or ties with networks of social actors with similar
concerns. (Langman, 2005, p. 52)
In the case of
the Kony 2012 video, I see that its ability to draw a viral transliteracy
response arises from an extremely well created narrative that captures the
masses and the experts equally in a manner that compels both to sound in. Participatory
media is the ubiquitous
mechanism that aggregates these many narratives.
I’ve said
enough – hopefully, this provides a snapshot of the transliteracy, its
actualization in both a hyper and deep cognitive style, and a complementary
academic approach to draw all aspects together.
Over and out,
LJ
References
Hayles, N. (2007). Hyper and Deep Attention: The
Generational Divide in Cognitive Modes. Profession, 187-199.
doi:10.1632/prof.2007.2007.1.187
Langman, L. (2005). From Virtual Public Spheres to Global Justice:
A Critical Theory of Internetworked Social Movements. Sociological Theory,
23(1), 42-74.
Hello LJ,
ReplyDeleteReally well thought out post. I love the way it builds from a news story to a search for a theoretical explanation for the concepts at work in Kony2012.
In your post you say "It speaks to manipulating the masses and how the creator has been able to drive participatory media movement in ways that no other advocacy group has been able to do." Here, you point out that it is the creator that has been driving the participatory media movement. I'm curious to know how you think the movement is going to be affected by said leader's "naked meltdown" on Saturday.
Although Jason Russel is visible throughout the video, I can't help but wonder if you think the video has transcended his involvement and has become a movement capable of functioning without a figurehead. Do you think a smart mob necessarily needs a leader?